Tuesday, February 28, 2012

Tremors [Blu-ray] (1990) review


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Who would have guessed that this clever, fast-paced creature feature from 1990 would become a beloved miniclassic worthy of its own Collector's Edition DVD? Tremors didn't actually break any new ground (even though its tunneling worm monsters certainly did), but it revved up the classic monster-movie formulas of the 1950s with such energetic enthusiasm and humor that it made everything old seem new again. It's also got a cast full of enjoyable actors who clearly had a lot of fun making the film, and director Ron Underwood strikes just the right balance of comedy and terror as a band of small-town rednecks battles a lot of really nasty-looking giant worms. The special effects are great, the one-liners fly fast and furious between heroes Kevin Bacon and Fred Ward (and yes, that's country star Reba McEntire packin' awesome firepower), and it's all done with the kind of flair one rarely associates with goofy monster flicks like this. Followed by a direct-to-video sequel (Tremors: Aftershocks), this horror thriller was given the deluxe treatment for its DVD release. Bonus features include an original "making-of" documentary, previously unseen video showing the creation of the worm-creatures, outtakes from the film, the original ending not shown in theaters, theatrical trailers, and a gallery of production photographs. If you're a fan, consider this a must-have disc! --Jeff Shannon Studio: Uni Dist Corp. (mca) Release Date: 11/09/2010 Run time: 96 minutes Rating: Pg13


Monday, February 27, 2012

Sinners and Saints [Blu-ray] (2010) review


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Johnny Strong of THE FAST AND THE FURIOUS and BLACK HAWK DOWN stars as New Orleans Police Detective Sean Riley, a tough cop mourning the death of his young son while investigating a series of brutal torture murders. But when a clue leads Riley to a troubled army buddy (Sean Patrick Flanery of THE BOONDOCK SAINTS), he'll uncover a shocking military conspiracy that triggers a war between local gangs and an international team of mercenaries. And in a city set to explode, nothing is more dangerous than a man with nothing to lose. Kevin Phillips (NOTORIOUS), Costas Mandylor (SAW 3-D), Clifford ''Method Man'' Smith, Jolene Blalock (''Star Trek: Enterprise''), Jürgen Prochnow (''24''), MMA legend Bas Rutten and Oscar® nominee Tom Berenger (PLATOON) co-star in this action-packed thriller about cops and killers, loss and redemption, and SINNERS AND SAINTS.


Sunday, February 26, 2012

Legend (Ultimate Edition) [Blu-ray] (1985) review


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This strange, 1985 experiment by Ridley Scott (Blade Runner) starred the up-and-coming Tom Cruise in a fairy-tale world of dwarfs and unicorns and demons. After the horn of a unicorn is broken, darkness and winter descend upon the world. Cruise's character, helped along by a magic sprite played by David Bennent (The Tin Drum), descends into hell to save paradise. This movie is almost a classic case of art direction gone amok. The somewhat amorphous Cruise doesn't lend much dramatic focus or artistic definition, but the drama between Tim Curry's satanic majesty and Mia Sara's character, who becomes a sort of princess of the netherworld, is pretty captivating. A mixed experience all around that makes one wish it had been more successful. --Tom Keogh Legend, from director Ridley Scott (Blade Runner, Gladiator), is a visually stunning fantasy-adventure in which pure good and evil battle to the death amidst spectacular surroundings. Set in a timeless mythical forest inhabited by fairies, goblins, unicorns and mortals, this fantastic story stars Tom Cruise as a mystical forest dweller, chosen by fate, to undertake a heroic quest. He must save the beautiful Princess Lily (Mia Sara) and defeat the demonic Lord of Darkness (Tim Curry), or the world will be plunged into a never-ending ice age.


Saturday, February 25, 2012

Higher Ground (Two-Disc Blu-ray/DVD Combo) (2011) price


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A curious young girl tries to check out Lord of the Flies from the library, only to be turned away by a stern librarian… thus begins a woman's bumpy relationship with religion, captured in the rich and rewarding Higher Ground. This is a movie that's all in the details. Corinne (Vera Farmiga, Up in the Air) vacillates between a craving for grace and resistance to the sincere but restrictive narrowness of her church; this plot description, though accurate, suggests something dour and angst-ridden. Instead, Higher Ground is full of humor, warmth, and a questioning but sincere look at a small religious community. Faith--a devotion to something unseen--is a tricky topic for a medium committed to the sensual pleasure of surfaces, but Higher Ground captures the yearning for connection, both human and divine, that brings churchgoers together. Farmiga, who also directed, projects a compelling mix of intelligence and vulnerability. She's at the center of an outstanding cast, including John Hawkes (Me and You and Everyone We Know), Joshua Leonard (Humpday), Donna Murphy (Trust Me), and numerous superb character actors. Don't overlook this wonderful movie. --Bret Fetzer Vera Farmiga’s directorial debut, Higher Ground, depicts the landscape of a tight-knit spiritual community thrown off-kilter when one of their own begins to question her faith. Inspired by Carolyn S. Briggs’ memoir, “This Dark World” , the film tells the story of a thoughtful woman’s struggles with belief, love and trust. A woman who learns that no matter how many times she loses her footing, she has within herself all that’s necessary to get to a higher place.


Friday, February 24, 2012

Billy Elliot [Blu-ray + DVD + Digital Copy] (Universal's 100th Anniversary) price


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"Two Thumbs Up!" rave Roger Ebert and Richard Roeper, Ebert & Roeper and the Movies. Billy Elliot is the heartwarming story of a young boy from a working-class family who discovers a passion that will change his life forever. Eleven-year-old miner's son Billy Elliot is on his way to boxing lessons when he stumbles upon a ballet class. Billy secretly joins the class, knowing that his blue-collar family would never understand. Under the guidance of his teacher Mrs. Wilkinson (Academy Award-nominee Julie Walters), Billy's raw talent takes flight. But when his father discovers his son's ambition, Billy must fight for his dreams and his destiny. With Oscar-worthy performances, Rex Reed (The New York Observer) calls "a triumph!" Don't miss Billy Elliot - the triumphant tale of one boy who reaches beyond his place in the world to follow his heart's desire. Starring: Jamie Bell, Julie Walters, Gary Lewis, Jamie Draven, Jean Heywood, Adam Cooper Directed by: Stephen Daldry


Thursday, February 23, 2012

The Adjustment Bureau [Blu-ray/DVD Combo] (2011) price


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Matt Damon is doing things a lot of top movie stars are sometimes scared to do: spreading his image thin among a range of roles, directors, and material. His forays away from the huge successes of, say, the Bourne movies or the Ocean's series which have highlighted his fully realized strengths as a buff action hero who can also slip effortlessly into natural comic charm aren't exactly risky. His image as a leading-man movie star is pretty much sealed, but in movies like The Informant, Invictus, Hereafter, True Grit, and others, he's stretching some different muscles that take him closer to character-actor territory. That has largely been a good thing for his fans, if not for his box-office stats. The Adjustment Bureau takes him somewhere in between--he's in leading-man territory with the Damon charisma in full bore and giving his all to a story that needs the toned actorly muscle he provides. Based on a novelette by science-fiction icon Philip K. Dick, The Adjustment Bureau exposes a cadre of people who are either superhuman or nonhumans and control the world by magically influencing the fate of every single person in it. Damon plays David Norris, an aspiring politician who rose from working-class roots in Brooklyn (a not-so-closeted skeleton that sometimes comes back to haunt him) to wealth and the likely promise of high office. Unfortunately, David takes some liberties with his fate that don't correspond with the narrative laid out by "the Chairman," the entity in charge of the Adjustment Bureau autocrats whose matching fedoras are none-too-subtle symbols for wings. The movie evades any mention of religion, but those hats and references to the Chairman are huge winks. Emily Blunt is the equally appealing presence who screws up the Chairman's plan in concert with Norris. They fall for each other hard again and again, constantly thwarting and confounding the bureau's best-laid adjusting tricks at every turn. Though it is often simplistic in its plot contrivances, the movie is nifty, clever, nimbly paced, and filled with ingenious special effects. Especially impressive is the recurring motif of doors that are virtual wormholes--a closet that leads to the middle of Yankee stadium, an Escher-like maze of conference rooms that constantly double back on themselves (shades of the dizzying door sequence in Monsters, Inc.). Another cool visual prop are the plain bound books bureau functionaries carry that are filled with intricate, animated schematic diagrams that chart the course of a life and how it interacts with others. John Slattery, Anthony Mackie, and Terence Stamp round out the uniformly excellent cast headed by Damon and Blunt, and with the slick production design and inventive effects, the glossy performances go a long way in adjusting up any dramatic shortcomings The Adjustment Bureau may have improperly calibrated. --Ted Fry David Norris (Matt Damon) glimpses the future Fate has planned for him...and chooses to fight for his own destiny. Battling the powerful Adjustment Bureau across, under and through the streets of New York, he risks his destined greatness to be with the only woman he's ever loved (Emily Blunt).


Wednesday, February 22, 2012

Annie Hall [Blu-ray] (1977) price


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Annie Hall is one of the truest, most bittersweet romances on film. In it, Allen plays a thinly disguised version of himself: Alvy Singer, a successful--if neurotic--television comedian living in Manhattan. Annie (the wholesomely luminous Dianne Keaton) is a Midwestern transplant who dabbles in photography and sings in small clubs. When the two meet, the sparks are immediate--if repressed. Alone in her apartment for the first time, Alvy and Annie navigate a minefield of self-conscious "is-this-person-someone-I'd-want-to-get-involved-with?" conversation. As they speak, subtitles flash their unspoken thoughts: the likes of "I'm not smart enough for him" and "I sound like a jerk." Despite all their caution, they connect, and we're swept up in the flush of their new romance. Allen's antic sensibility shines here in a series of flashbacks to Alvy's childhood, growing up, quite literally, under a rumbling roller coaster. His boisterous Jewish family's dinner table shares a split screen with the WASP-y Hall's tight-lipped holiday table, one Alvy has joined for the first time. His position as outsider is uncontestable he looks down the table and sizes up Annie's "Grammy Hall" as "a classic Jew-hater." The relationship arcs, as does Annie's growing desire for independence. It quickly becomes clear that the two are on separate tracks, as what was once endearing becomes annoying. Annie Hall embraces Allen's central themes--his love affair with New York (and hatred of Los Angeles), how impossible relationships are, and his fear of death. But their balance is just right, the chemistry between Allen's worry-wart Alvy and Keaton's gangly, loopy Annie is one of the screen's best pairings. It couldn't be more engaging. --Susan Benson


Tuesday, February 21, 2012

A Very Harold & Kumar Christmas (Three-Disc Blu-ray 3D / Blu-ray / DVD / UltraViolet Digital Copy) (2011) review


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A Very Harold & Kumar Christmas (Three-Disc Blu-ray 3D / Blu-ray / DVD / UltraViolet Digital Copy) (2011)


Monday, February 20, 2012

Notorious [Blu-ray] (1946) price


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One of Alfred Hitchcock's classics, this romantic thriller features a cast to kill for: Ingrid Bergman, Cary Grant, and Claude Rains. Bergman plays the daughter of a disgraced father who is recruited by American agents to infiltrate a post-World War II spy ring in Brazil. Her control agent is Grant, who treats her with disdain while developing a deep romantic bond with her. Her assignment: to marry the suspected head of the ring (Rains) and get the goods on everyone involved. Danger, deceit, betrayal--and, yes, romance--all come together in a nearly perfect blend as the film builds to a terrific (and surprising) climax. Grant and Bergman rarely have been better. --Marshall Fine


Sunday, February 19, 2012

Rebecca [Blu-ray] (1940) review


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Rebecca [Blu-ray] (1940)


Saturday, February 18, 2012

Killer Elite [Blu-ray] (2011) review


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They're not exactly The Expendables, but the idea of gathering Jason Statham, Clive Owen, and Robert De Niro for special ops duty in Killer Elite gives rise to some basic expectations: and sure enough, there's Statham as the cool, compact trained killer, and De Niro as the grizzled seen-it-all-veteran of some very off-the-record assassinations, and Owen as the smooth-talking (and curiously mustachioed) insider with a mess to clean up. These three fellows might indeed make for a badass team in some international thriller, but this particular international thriller is so ham-handed and breathlessly "stylish" that the actors are stranded amidst the relentless noise. De Niro's character gets kidnapped early in the proceedings (and spends most of the movie off-screen), so Statham must come back on the job and rescue his old killer-in-arms. But there's a bigger plot a-turning, based on Ranulph Fiennes's novel, which was allegedly a real tale of espionage, although this claim has been disputed. (This film is not related to Sam Peckinpah's 1975 film The Killer Elite). Director Gary McKendry serves up some bone-crunching moments, which almost drown out the sound of the tin-ear dialogue, and Owen manages to emerge with dignity intact. That will have to suffice as a recommendation for hard-core action fans. --Robert Horton Jason Statham (The Italian Job), Academy Award® nominee Clive Owen (Inside Man) and Academy Award® winner Robert De Niro (Raging Bull) star in Killer Elite, "one of the best action thrillers of the year!" (Richard Roeper) When two of the world's most elite operatives -- Danny, a retired contract killer (Statham), and Hunter, his longtime mentor (De Niro) -- go up against the cunning leader of a secret military society (Owen), their hunt takes them around the globe from Australia to Paris, London, and the Middle East. As the stakes rise along with the body count, Danny and Hunter are soon plunged into an action-packed game of cat-and-mouse where no one is what they seem. Based on a shocking true story, it's an explosive, no-mercy thrill ride where the predator ultimately becomes the prey. Starring: Jason Statham, Clive Owen, Robert De Niro, Dominic Purcell, Aden Young, Yvonne Strahovski, Ben Mendelsohn, Adewale Akinnuoye-Agbaje Directed by: Gary McKendry


Friday, February 17, 2012

Forgetting Sarah Marshall [Blu-ray] (2008) review


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Breaking up is hard to do--but that doesn't mean you can't have some belly laughs about it. Forgetting Sarah Marshall provides that rare treat: a romantic comedy about breakups, that is both romantic and funny. The laughs, especially from writer-star Jason Segel, are both heartfelt and raunchy, and the film is just unexpected enough that it keeps the viewer's attention till the end. The touches of producer Judd Apatow, who's famously retooled rom-coms to appeal to guys as much as women, are woven throughout the film, but Segel's script, reportedly based on many of his own experiences, is fresh and original. And adult. Forgetting Sarah Marshall features male genitalia laffs presented in unexpected and human ways (the nude breakup scene is played for giggles but also deep poignancy), and the language and sex scenes are strictly for grownups--and rightly so. Segel's script, and his performance as Peter, show that he understands the true nature of adult relationships, which provides the refreshing difference between this film and some of Apatow's other crude creations. The cast is sublime; Kristen Bell (Veronica Mars) plays title character Sarah, a self-absorbed actress, and Russell Brand is her new British honey who accompanies her to--what are the chances?--the exact same Hawaiian resort as Peter, who's nursing his broken heart. Mila Kunis plays Rachel, the resort employee who gives Peter a reason to hope, and Paul Rudd is the surfing instructor who gives him his own brand of heartfelt advice ("When life gives you lemons, just say 'F--- the lemons' and bail," he says cheerily). The pacing is screwball, and the absurdities fly (a "Dracula" musical puppet show, and a surprisingly lovely Hawaiian version of "Nothing Compares 2 U"). Nothing the viewer will forget any time soon.--A.T. Hurley Get to Know the Cast From Forgetting Sarah Marshall Kristen Bell (Sarah Marshall) Jason Segel (Peter Bretter) Mila Kunis (Rachel Jansen) Beyond Forgetting Sarah Marshall on DVD More from the Apatow Gang Get it on Blu-ray More Romantic Comedies Stills from Forgetting Sarah Marshall (Click for larger image) Click to learn more about the BD-Live Experience Peter (Jason Segel) is a struggling musician who finds his world turned upside down when his TV celebrity girlfriend, Sarah Marshall (Kristen Bell), dumps him for a tragically hip rock star. It’s the hysterically funny look at how far one man will go to forget a girl – and all the fun he finds along the way!


Thursday, February 16, 2012

Godzilla (The Criterion Collection) [Blu-ray] (1954) review


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Ishiro Honda’s Godzilla is the roaring granddaddy of all monster movies. It’s also a remarkably humane and melancholy drama made in Japan at a time when the country was still reeling from nuclear attack and H-bomb testing. Its rampaging radioactive beast, the poignant embodiment of an entire population’s fears, became a beloved international icon of destruction, spawning more than twenty sequels and spinoffs. This first thrilling, tactile spectacle continues to be a cult phenomenon; here, we present the original, 1954 Japanese version, along with Godzilla: King of the Monsters!, the 1956 American reworking starring Raymond Burr (Rear Window).